Published Projects

 Are you interested in buying any projects I've worked on? Here's some links to their itch pages.


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Demands and Escalation

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 A Procedural Alternative to the Random Reaction Roll Intro You’re probably doing something like this already if you're rolling classic 2d6 reaction rolls. I’ve always struggled with converting the usual 2d6 table into something playable, often having to fill in the table myself on a per-encounter basis, especially when it seems like often players want to talk their way past encounters. The reaction table doesn't give me enough to go on for the majority of encounters, and so, it's not very helpful. Here are some things I’ve been doing to remedy the reaction rolls, and I’d like to get them down as a proper procedure that I can fall back on when I’m feeling a little lost during an encounter.  I've whittled it down to 3 key stats, that should be pretty easy to insert/substitute into any OSR game.  A Demand (list of examples at the end) Disposition, a stat ranging from 0-5 Patience, a health-bar of sorts, ranging from 0-5 Escalation, 3 distinct steps: sheathed, weapons draw...
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Systems aren't real*

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*This is flippant. They're social constructs, so they are kind of real but only because they are agreed upon.* Once upon a time, in a stinky Wisconsin basement, a couple white guys got together and invented D&D. There had never been anything like it before. Ope never mind, that's a lie. There was Chainmail, there were Napoleonic wargames, there was Tolkien, Star Trek, chess, and Ancient Greek myths. TTRPGs have always been part of a material lineage. What was actually unique about D&D was that those Wisconsin fellas figured out a way for Capital to capture that play and turn it into a Product to be Sold.  Play and labor are intertwined in really complex ways. Is making art play? It makes an object that sometimes has value, and sometimes doesn’t. You should listen to Game Studies Study Buddies for more knowledgeable talk about this stuff. For me, when I’m preparing for a ttrpg session, it can feel like one, or the other, or both at once, and at the end of it, we have a ...
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